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She received her MFA in fiction from Cornell University, and her short fiction has appeared in several literary magazines. She has worked as a writer and editor for Epicurious, Gourmet.
Not sure where the plot of your novel is headed? Tormented by writerly self-doubt? Please allow me to make a suggestion that might change your whole life: Try writing a ghost story.
Ghost stories have a certain inexorable quality that can be particularly helpful for a first-time novel writer. Well, the basic plot of a ghost story goes something like this: A ghost shows up. The ghost gets even scarier. The ghost becomes truly horrifying. The protagonist figures out what to do about it.
Writing a ghost story pretty much eliminates the possibility of dead ends. In this way writing a ghost story happens to be excellent target practice for writing a story of any persuasion, haunted or not. Your ghost will just spook you out of your writerly cul-de-sacs a little bit faster, and toward a clearer purpose.
Believing in ghosts is by no means a prerequisite for writing scary stories. My father was a great reader and a great ghost story teller, and through him my sister and I both inherited a love of ghost stories and horror stories: I love being scared by ghosts; I love the word itself, ghost.
That said, the experience that a great ghost story evokes, that delicious fear, is one that anyone can believe in. Many people—sane, normal people who have never watched Ghost Hunters—have had the experience of feeling observed, or followed, or haunted.
As a writer, your job is provoking sensation in your reader—and what more useful tool for that provocation than a ghost?
Your own reading of a ghost story will depend on what you want to believe: I first read both of those stories in high school, and at that time, interestingly, they were positioned to me as horror stories.
Think you might be up for giving it a try, intrepid writer?Do you believe in ghost's? Do you believe ghost's come out in dark graveyards by the end of this story you might just believe.
One stormy night a group of teenagers where walking home from a party. It was about 2am in the morning no .
This is a stimulus for writing a ghost story in KS1 or KS2 English. It can be played on an interactive whiteboard and used as a lesson starter. This was initially designed to go with short film clip - 'Teachers TV: Writing a Ghost Story: Graveyard', which is a great clip for helping to create an eerie atmosphere and to teach children how to build up the tension in their stories.
The Graveyard Book ends when Bod is about fifteen years old.
We see him gradually losing his Freedom of the Graveyard powers (must be puberty), and then leaving the graveyard by himself with money, a passport, and big, big dreams.
Lesson starters. 7, Writing a ghost story: graveyard.. [Teachers TV (Television Channel);] -- This is a stimulus for writing a ghost story in KS1 or KS2 English. It can be played on an interactive whiteboard and used as a lesson starter.
Lesson starters. 7, Writing a ghost story: graveyard.. [Teachers TV (Television Channel);] -- This is a stimulus for writing a ghost story in KS1 or KS2 English.
It can be played on an interactive whiteboard and used as a lesson starter.